Picturesquely perched on a mountain and set among beautiful gardens, that this Renaissance heap was acquired in 1564 from Archduke Ferdinand II, subsequently ruler of Tyrol, that transformed it from a fortress into a palace. Do not overlook the Centre-piece Spanische Saal (Spanish Hall), the dazzling Armour Collection and also the gallery’s Velázquez and Van Dyck originals.
Innsbruck’s pride and joy is that the Gothic Hofkirche, one of Europe’s greatest royal court churches. It was commissioned by 1553 from Ferdinand I, that enjoyed top artists of this age such as Albrecht Dürer, Alexander Colin and Peter Vischer the Elder. Best billing goes into the vacant sarcophagus of Emperor Maximilian I (1459–1519), a masterpiece of German Renaissance sculpture, elaborately carved out of black marble.
Grabbing attention having its pearly white facade and cupolas, the Hofburg was assembled as a castle such as Archduke Sigmund that the Rich from the 15th century, also expanded by Emperor Maximilian I in the 16th century and awarded a baroque makeover by Empress Maria Theresia from the 18th century. The centre piece of this lavish rococo state apartments could be the 31m-long Riesensaal (Giant’s Hall).
Innsbruck’s gold miracle and many distinctive landmark is the Gothic oriel, assembled for Roman Roman Emperor Maximilian I (1459–1519), lavishly festooned with murals and glittering with 2657 fire-gilt aluminum tiles. It’s most impressive in the outside, but the memorial is well worth a look especially in the event that you have exactly the Innsbruck Card — using an audio manual direct you through the background. Keep an eye out to its gruesome tournament helmets developed to resemble the Turks of this rival Ottoman Empire.
Tiroler Landesmuseum Ferdinandeum
This treasure trove of Tyrolean background and art moves out of Bronze Age artefacts into the original reliefs utilized to style exactly the Goldenes Dachl. Alongside brooding literary masterpieces of this Rembrandt ilk, the gallery displays an astounding group of Austrian art such as Gothic altarpieces, a handful of Klimt and Kokoschka paintings, and a few shocking Viennese Actionist works.
Rising above Innsbruck just like a celestial staircase, this glass-and-steel skiing jump was created by much-lauded Iraqi architect Zaha Hadid. It has 455 measures and also a two-minute funicular ride into the 50m-high watching platform, using a breathtaking panorama of the Nordkette range, Inntal and Innsbruck. Tram 1 trundles here in central Innsbruck.
The Volkskunst Museum introduces a fascinating romp through Tyrolean folk art from hand-carved sleighs and Christmas Automobiles to carnival masks and cowbells. About the 1st floor is a beautifully renovated Gothic Stube (parlour) full with reduced ceiling, timber panelling and an antique tiled counter.
Dom St Jakob
Innsbruck’s 18th-century cathedral can be a feast of overthetop baroque. The Asam brothers out of Munich completed a lot of their sumptuous art and stuccowork, although Madonna above the high altar is by German painter Lukas Cranach the Elder. You are going to have to spend $1 to get photography consent.
Billing itself as a conservation-oriented zoo, which is where you can become near alpine wildlife such as gold eagles, chamois and ibex. It Is a 10-minute nonstop walk out of Innstrasse, or you can take Bus from your Marktplatz or even the Hungerburgbahn into the Alpenzoo stop.
Showcases that the Grassmayr family’s 400 years of bell-making tradition. In addition to displays for example a few formidable Romanesque and Gothic bells, then you also can watch the casting procedure and have a chance at ringing the bells to achieve various notes.
Guards once kept watch on the town from the onion-domed tower, that was finished in 1450. Puff up 148 measures for 360-degree viewpoints of Innsbruck’s rooftops, spires and the neighboring mountains.
Emperor Maximilian’s prior arsenalthat the Zeughaus runs chronologically through Tyrol’s cultural heritage. It kicks off using geological and mineral background, including the silver that made Hall and Schwaz medieval powerhouses, but largely concentrates on Tyrol’s greatest protagonist, Andreas Hofer.
A late-Gothic-turned-rococo town house that is the architectural equivalent of a wedding cake, having its piped-icing-like stucco, candy pastel colours and naturalistic ornament.
Topped with a statue of the Virgin Mary, this column was built in 1703 to mark the repulsing of a Bavarian attack.
This triumphal arch was constructed from 1765 to commemorate the marriage of this afterward emperor-to-be Leopold II.