Musei di Strada Nuova
Skirting the northern border of the city limits, pedestrianised Via Garibaldi (formerly Strada Nuova) has been planned by Galeazzo Alessi at the 16th century. It became the very sought-after quarter, lined with the palaces of the weakest taxpayers of Genoa. Three of these palazzi — Rosso, Bianco along with Doria-Tursi — now comprise the Musei di Strada Nuova. Between them, they contain the finest collection of older masters of the city. Whether you go to the museums or perhaps not, the street can be vital to ramble.
In the event that you only get the opportunity to see one of the Palazzi dei Rolli (set of palaces belonging into the town’s most eminent families), make it this one. A former residence of the Savoy dynasty, it’s terraced exquisite furnishings, gardens, a group of art .
The core of medieval Genoa — bounded by early city gates Porta dei Vacca and Porta Soprana, and the streets of Via Cairoli, Via Garibaldi and Via XXV Aprile — is most famed for the caruggi (narrow lanes). Looking upward at the washing it becomes obvious these dark, cave-like laneways and alleys are still residential, although the number of cafes, shops and hip bars continues to grow.
Lavishly frescoed chambers in Palazzo Rosso, area of those Musei di Strada Nuova, provide the setting for all pictures by Van Dyck of the native Brignole–Sale family. Other standouts include Guido Reni’s San Sebastiano and Guercino’s La morte di Cleopatra (The Death of Cleopatra), respectively in Addition to works by Veronese, Dürer and Bernardo Strozzi.
Dating from the late 19th century, this beauty does indeed resemble a castle, also even houses an selection of ethnographic artefacts from around the world. This collection was constructed by italian writer, navigator and philanthropist Enrico d’Albertis during his journeys, and also the glowing galleries comprise every thing from pottery from the Americas. Unfortunately, there signage in English. The gardens offer views across the metropolis.
After sunlight is shining, do the Genovese perform and decamp to get a passeggiata (late afternoon stroll) along the oceanside promenade, Corso Italia, which begins around 3km east of the town centre. This broad 2.5km-long sidewalk lined with Liberty villas leads to Boccadasse, a once distinct fishing village which appears such as a sawn off chunk of Cinque Terre. Its pebble beach can be the perfect gelato-licking location through the day and its own gaggle of small bars serve up spritzes to joyful audiences on summer evenings.
Flemish, Spanish and Italian artists feature in Palazzo Bianco, the next of this triumvirate of palazzi which can be together known as the Musei di Strada Nuova. Rubens’ Venere e Marte (Venus and Mars) and Van Dyck’s Vertumno e Pomona are among the highlights, which also contain works by Hans Memling, Filippino Lippi and Murillo, in Addition to 15th-century religious icons.
The best way to respect the beauty of Genoa will be to go to the hills above the city centre. This leafy lookout provides some of the most useful views over la Superba within easy reach, and locals gather here on week ends for a bit of gelato-licking and seat sitting against a magnificent backdrop of city, sea and mountains. Make it happen via the elevator on the Piazza del Portello, or choose the extreme lane/staircase of Salita San Gerolamu.
A beautiful historical space that runs a program of modern and contemporary shows along interesting curatorial topics. The focus is often on photography. It’s part of the Palazzo Grillo hotel but comes with a split up backstreet entrance.
Cattedrale di San Lorenzo
Genoa Gothic–Romanesque cathedral owes its continued presence to the poor quality of a British WWII bomb that did not spark within 1941; it sits on the side of this nave as a memorial bit.
The palace, fronted twisting columns, by three portals and crouching lions, was consecrated in 11 18. The two bell towers and cupola were added in the century.
The much-vaunted aquarium of genoa is among the largest in Europe, with over 600 species of sea animals, for example bees. Moored by the conclusion of this walkway is your ship Grande Nave Blu, a unique floating display having exhibits of coral reefs. The aquarium’s’cetaceans’ may disturb some visitors: while the pilots don’t function tricks including rehousing abused dolphins and its international legal requirements are fulfilled by the aquarium, animal welfare groups maintain dolphins in enclosed tanks is more detrimental.
Galata Museo del Mare
Genoa was rivalled only by Barcelona and Venice because of medieval and Renaissance maritime power its’museum of the sea’ is, not surprisingly, one of the most important and interesting. Hightech exhibits trace the heritage of seafaring, from Genoa’s reign as Europe’s biggest dockyard to the ages of sail and steam.
Palazzo San Giorgio
One of the monuments on Genoa’s waterfront is the mural-covered building constructed in 1260. St George is one of the patron saints of Genoa, and also the DragonSlayer is featured underneath the clock. The six men represent some of Genoa’s most famous sons, including Christopher Columbus.
This palace, among three which together comprise the Musei di Strada Nuova, includes a tiny but absorbing set of legendary violinist Niccolò Paganini’s own consequences. At the Sala Paganini, pride of place belongs to his Cannone violin, made in Cremona in 1743. 1 lucky musician gets to play with the maestro’s violin during October’s Paganini holiday season. Other artefacts on show include his chess collection , musical scores and letters. Input the galleries through Palazzo Bianco.
The port may have changed since its’90s rebirth, but an inch hasn’t moved since 1543. The lighthouse of genoa is one of the world’s oldest and most bizarre — and it works, glowing its light to frighten boats and tankers. Visitors may scale 172 measures and weigh exhibits in a adjacent museum of lights, lenses and related history.
Santa Maria di Castello
Built on sheltering under the 11th-century Embriaci Tower, and the site of this settlement, convent and this Romanesque church , itself built until AD 900, is now an outstanding and little-visited historic site. Its walls have been covered with treasures that have been commissioned by Genoa’s groups from the first days, though some of the frescoes that were prominent also date into the 16th and 17th century. Tours, by coin contribution, are potential.
Galleria Nazionale di Palazzo Spinola
The gallery’s paintings are wonderfully displayed over four floors of this 16th-century Palazzo Spinola, once owned by the Spinola family, certainly one of Genoa’s most formidable dynasties. The main focus is Flemish Renaissance art of this so called Ligurian School (watch out to Van Dyck, Rubens and Strozzi), however in addition, it is worth visiting to gape at the decorative architecture.
Chiesa del Gesù
Hidden supporting Piazza de Ferrari, this past Jesuit church dating from 1597 comes with an intricate and lavish interior. Ceiling and the frescoed walls are anchored by two functions the great Dutch artist Rubens. Circoncisione (Circumcision) hangs over the primary altar, and Miracolo di San Ignazio is displayed in a side chapel.
Once the seat of the individual republic, this grand palace was constructed in the Mannerist style and has been refurbished after a fire at the 1770s. It hosts several galleries that are smaller high-profile temporary art displays and occasional niches in its lofty atrium. The palazzo also has a bookshop and cafe.
Museo del Tesoro
In the sacristy of the Cattedrale di San Lorenzo, the Museo del Tesoro preserves various dubious holy relics, including the medieval Sacro Catino, a glass boat once regarded as the ultimate goal. Artefacts range from the glistening quartz platter where Salome is thought to have received John the Baptist’s mind, and a fragment of the True Cross.
A glass chunk home a humid mini-ecosystem with birds, butterflies and plants, the Biosphere is an innovative addition to the port, although its assorted greenery won’t delay you more than a quarter hour. Computers indoors control the ambient temperature. It was created by Renzo Piano in 2001, and is well known locally as la bolla (the bubble).
Casa di Colombo
The reconstruction listed here really isn’t the only real house claiming to be the birthplace of the navigator Christopher Columbus (Calvi in Corsica is just another competitor ), however, the positioning has the maximum merit, as many documents inside testify. Curiouslyit stands just beyond the old city walls at the shadow of this Porta Soprana gate (integrated 1155).
Piazza de Ferrari
Genoa’s fountain-embellished main piazza is ringed by magnificent buildings which include the art-nouveau Palazzo della Borsa, that was the nation’s stock exchange, and also the hybrid neoclassical-modernist Teatro Carlo Felice, bombed in WWII and maybe not fully reconstructed until 1991.
The interface that once controlled a little empire is currently probably one of the most popular places to like a more passeggiata (evening walk ). Superyacht fans are particularly well catered for those with children will love the aquarium, the futuristic Big-O (lookout), the small public swimmingpool and the pirate boat.
Three gates were built from 1155 from Genoa as part of a defensive wall procedure. Porta Soprana is just one of just two that lived, Porta dei Vacca may be the other. They both share the feature rounded towers.