Chiesa San Pietro Barisano
Dating in its oldest parts into the 12th century, St Peter’s, the biggest of Matera’s rupestrian churches, overlays an early honeycomb of markets where corpses were put for draining. In the entry level are available 15th- and 16th-century frescoes of the Annunciation and an assortment of saints. The empty framework of this altarpiece graphically illustrates the city’s troubled recent history: that the church had been plundered when Matera was partly left in the 1960s and’70s.
This giant cistern, arguably as magnificent as a underground cathedral, is just one of Matera’s fantastic beaches. Lying beneath the city’s most important square with arches carved from the present stone, it’s mind-boggling in its own scale and creativity, and was supplying water into Materans inside living memory. Book ahead for a 25-minute tour together with the multipurpose guides, who describe its conception and background (English-language tours normally depart at 10.30am, 12.30pm, 3.30pm and 5.30pm).
Highly recommended as a precursor to seeing the sassi themselves, this superb 25-minute multimedia exhibition, spread across three chambers of a 16th-century family residence contributed to the Fondo Ambiente Italiano, joins the astonishing and frequently debilitating social history of this town and its own sassi. Your appreciation of Matera’s particular history and renaissance, and the tribulations of this sassi dwellers, will soon be changed.
Chiesa di Madonna delle Virtù & Chiesa di San Nicola del Greci
This monastic complex, among the most significant monuments in Matera, includes dozens of chambers carved into the tufa limestone over two floors. Chiesa di Madonna delle Virtù was constructed at the 10th or 11th century and restored in the 17th century. Above it, the easy Chiesa di San Nicola del Greci is full of frescoes. The complex has been utilized in 1213 by Benedictine monks of origin. The churches are occasionally employed for artwork installations (entrance charges apply).
Museo della Scultura Contemporanea
The setting of the fabulous museum of modern sculpture — deeply luminous temples as well as the frescoed rooms of this 16th-century Palazzo Pomarici — is equally as outstanding as the displays. Italian sculpture in the late 19th century to the current day is the main focus, but you might also see lovely examples of graphic artwork, jewelry and jewelry.
To get a fantastic picture of this sassi, shoot the Taranto–Laterza street (SS7) and follow signs to its chiese rupestri. This street takes you into the Belvedere, the positioning of the crucifixion at The Passion of the Christ,” that has excellent views of the diving ravine and Matera. It is especially impressive.
Set up high on a spur between both natural bowls of this sassi, the desire, graceful outside this 13th-century Pugliese-Romanesque cathedral leaves the neobaroque surplus within each of the more of a surprise. After 13 decades of renovation, it is possible once more to respect the elaborate capitals, sumptuous chapels, 17th-century frescoes, 13th-century Byzantine Madonna and 2 12th-century frescoed crypts, discovered in the functions. Notice the pediments mounted about the cathedral’s altars, which come in Greek temples in Metaponto.
Cripta del Peccato Originale
An intriguing Benedictine website dating into the Lombard period, the Cripta del Peccato Originale (Crypt of Original Sin) houses well-preserved 8th-century frescoes — constituting brilliant scenes from the New and Old Testaments — which have made it a reputation as the’Sistine Chapel’ of Matera’s cave churches. It is 7km south of Matera: all of visits should be booked via the site, then combined at the ticket office (in Azienda Agricola Dragone on Contrada Pietrapenta) 30 minutes before the scheduled beginning time.
Museo Nazionale d’Arte Medievale e Moderna della Basilicata
The Palazzo Lanfranchi, constructed as a seminary integrating a previous church in the 17th century, today houses this fascinating tradition of sacred and modern artwork. The stars of this series are Carlo Levi’s paintings, for instance, scenic mural Lucania’61 depicting peasant life in biblical technicolour. Additionally, there are some centuries-old sacred art from the sassi.
Casa-Grotta di Vico Solitario
To get a glimpse of life from older Matera, take a look at this historical sasso away Via Bruno Buozzi. There is a mattress in the center, a loom, a space for a section to get a pig and a donkey. In addition you have access to a few neighboring temples: in one, a black-and-white movie portrays gritty prerestoration Matera.
Chiesa di Santa Lucia alle Malve
Dating to the 8th century, as it had been built since the Benedictine Order’s initial foothold at Matera, this cliff-face church has quite a few 13th-century frescoes, such as an odd breastfeeding Madonna. The church originally included three aisles, with just two later accommodated as dwellings.
Chiesa di Santa Maria di Idris
Dug to the Idris stone, this church has an unprepossessing facade, but the narrow corridor communication with all the Victorian church of San Giovanni in Monterrone is adorned with 12th- to 17th-century frescoes.
Chiesa di San Pietro Caveoso
The only church in the sassi not encounter the tufa stone, Chiesa di San Pietro Caveoso was initially built in 1300 and contains a 17th-century Romanesque-baroque facade along with frescoed wood ceiling.
Museo Nazionale Ridola
This remarkable collection includes local Temple locates plus a few notable Greek pottery, like the Cratere Mascheroni, that a massive urn over 1m high.
Located on a mountain close to the town center, this 15th-century castle has been abandoned bare after the famous Count Tramontano, apparently unaware that high taxation and his custom of bedding each bride on her wedding night was not winning much favor, was killed by rebellious subjects. Four little tiles Via Riscatto into the remaining palace paint a story of the count’s violent death. Regrettably, the castle is not open to the general public.