Museo Correale di Terranova
East of town centre, this extensive museum is well worth a visit if you are a clock collector, a archaeological egghead or to delicate ceramics. Besides this abundant range of 16th- to 19th-century Neapolitan arts and crafts (such as extraordinary examples of marquetry), you will discover Japanese, European and Chinese jewelry, clocks, lovers as well as on the floor, medieval and ancient artefacts. One of these is a fragment of an early Egyptian carving found in the neighborhood of Sorrento’s Sedile Dominova.
Museo Bottega della Tarsia Lignea
Since the 18th century, Sorrento was renowned for its intarsio (marquetry) furniture, created with semi designed Engineered timber. A few superb historical examples are seen in this museum, a number etched in the fashionable picaresque style. The museum, housed in an 18th-century palace full with lovely frescoes, has a fascinating collection of paintings, prints and photos depicting the town and the surrounding region from the 19th century.
Chiesa & Chiostro di San Francesco
Located beside the Villa Comunale Park, this church is also best known for the tranquil 14th-century cloister abutting it, that will be available via a door in the church. The courtyard includes an Arabic portico and interlaced designs supported by octagonal columns. Replete with bougainvillea and birdsong, they are constructed to the ruins of a 7th-century monastery. Upstairs at the Sorrento International Photo School, the Gallery Celentano shows monochrome photos of Italian landscapes and life from modern local photographer Raffaele Celentano.
Basilica di Sant’Antonino
Named after Sorrento’s patron saint, the city’s oldest church hardly resembles a church whatsoever from the outside. The inside paints a ecclesial image with its own Roman artefacts, dark medieval paintings, gilded ceiling, along with the oddity of 2 subway ribs at the lobby from the front door. Apparently, the much-loved saint performed a lot of miracles, such as one where he rescued a child by a whale’s belly. The saint’s bones lie under the baroque interior in an 18th-century crypt.
Noticeably detached from the major town and bereft of the hydrofoils and ferries that audience Marina Piccola, this secluded former fishing village features a classic marine atmosphere not reminiscent of Marina Corricella on Procida. Bobbing fishing ships and pastel-coloured homes add personality to a quarter that is famous for its family-run seafood restaurants. The marina also shields the nearest thing in Sorrento into some spiaggia (shore ).
A significant hub for stores, restaurants and pubs, lately pedestrianised Corso Italia is your most important thoroughfare shooting east-west during the bustling centro storico. Duck to the side roads to the north and you will discover narrow lanes flanked by conventional green-shuttered buildings, interspersed with the occasional palazzo (mansion), piazza or church. Souvenir and antiques stores, fashion boutiques, trattorias and some nice old buildings too jostle for space within this section of cobbled backstreets.
Il Vallone dei Mulino
Il Vallone dei Mulino is a profound mountain cleft that dates out of a volcanic eruption 35,000 decades back. Sorrento was bounded by three gorges, but now this is the only one which stays. The valley is named after the early wheat mills which were once found here. The weed-covered ruins of one remain observable.
Incongruously wedged between racks of lemon-themed souvenir product, this 15th-century domed palazzo (mansion) includes beautiful, albeit faded, original frescoes. Crowned by a cupola, the patio, open into the road on either side, was initially a meeting point for the city’s medieval aristocracy; now it houses a working-men’s club at which local pensioners sit around playing cards.
Finished from the mid-1930s and newly restored, the gracious, neoclassical Villa Fiorentino is a place for high quality temporary art exhibitions and concerts. Check the web site for upcoming events.
Casa di Cornelia Tasso
Between the late 16th and early 17th century, that this palazzo (home ) was house to Cornelia Tasso, sibling of this famous Italian poet Torquato Tasso. Suffering psychological disorder, the Spartan poet fled Ferrara at July 1577 afterwards fearing for his life, even disguising himself as his own messenger and coming into his hometown of Sorrento. Upon showing himself into his sisterthe poet stayed at this speech for a brief time before going north into Rome.
Chiesa di Santa Maria delle Grazie
The earliest portion of the 15th-century church would be that the apse, where you will locate Silvestro Buono’s 1582 polyptych over the altar. Its central panel depicts the Virgin with Child, St John the Baptist, St Dominic and the church creator, Berardina Donnorso. The paintings onto the grates flanking the altar are from the late-baroque Neapolitan painter Nicola Malinconico, although people from the markets beside these are credited to the workshop of successful Mannerist Professional Belisario Corenzio.
In the Chiostro di San Francesco, staircase contribute to the gallery, which showcases the most evocative pictures of Raffaele Celentano, a modern photographer who spends his time between Sorrento and Munich. The gallery’s long-term exhibition — a retrospective of Celentano’s function within the previous quarter of this century — provides some showing glimpses in the Italian method of life.
Sorrento’s cathedral includes a stunning exterior fresco, a triple-tiered bell tower, four classical columns and a tasteful majolica clock. Inside, pay attention to the masonry bishop’s throne (1573), and both the wooden choir stalls and stations of the cross, decorated at the neighborhood intarsio (marquetry) style. Even though the cathedral’s original structure dates from the 15th century, the building was shifted many times, most recently in the early 20th century once the present facade was inserted.
Santuario della Madonna del Carmine
Constructed in the late 15th century over the website of a previous church, the most single-nave Santuario della Madonna del Carmine is flanked with a controlling, early-18th-century ceiling painting by Onofrio Avellino, depicting the Virgin Mary with St Simon and angels. The church is also home to an odd 16th-century painting that depicts the Virgin because of an dark-skinned figure. The picture conveys the 13th-century effigy Madonna della Bruna (Dark-skinned Virgin), located within Naples’ Chiesa di Santa Maria del Carmine.
Ancient Greek Gate
On its path down to Marina Grande, Via Sopra le Mura moves through a big stone archway. This is one of Sorrento’s first Greek town gates, constructed from the 4th century BC. Further remnants of this town’s early Hellenic walls could be observed below present street level in the southern end of Via Antonino Sersale, just south of the Duomo. The latter destroys were found in 1921, right under the town’s 18th-century Porta di Parsano Nuova (New Parsano Gate).
Tucked away on one of Sorrento’s authentic Graeco-Roman decumani (main roads ), the Palazzo Veniero is regarded as a rare and valuable example of Arab-Byzantine buildings in southern Italy. Despite being greatly changed since its construction from the 13th century, the construction’s geometric grey-and-yellow tuff-stone designs possess a clearly Middle Eastern flavour.
Villa Comunale Park
This lofty park is far much more about vistas than slopes, perched atop Sorrento’s famous shore with commanding views throughout the bay into Mt Vesuvius. Using its operatic buskers and little pub , it is especially popular in sunset. A lift ($1) in its western border leads to the port.
Constructed in the 14th century, the Palazzo Correale includes a pulling Gothic-Catalan facade, complete with mullioned windows from shadowy tuff stone. The window facing Via degli Archi is particularly lovely, its own capitals adorned with sculpted acanthus leaves.