Igreja de São Francisco
Igreja de São Francisco looks from the outside to be an austerely Gothic church, but inside it adopts you one of the most fantastic displays of the finery of Portugal. As sober monks and cherubs are drowned by 100kg of silver foliage Scarcely a centimeter leaks unsmothered. Make this one, if you find only 1 church at Porto.
High on your list is taken with silver foliage and must be the nave, interwoven with curlicues and vines, dripping with cherubs. Peel back the layers to find the statue of St Francis of Assisi standouts like the Chapel of St John the Baptist and the Tree of Jesse, a polychrome marvel of the altarpiece. The church museum harbors a nice selection of art that is sacred.
At the catacombs, the good of Porto and both the fantastic were buried. Keep an Eye out for works by prolific Portuguese sculptor António Teixeira Lopes and Italian master Nicolau Nasoni.
This fabulous institution combines a museum, a mansion, and extensive gardens. Cutting-edge exhibitions, along with a nice permanent collection featuring works from the late 1960s into the present, are showcased in the Museu de Arte Contemporânea, an arrestingly chic, whitewashed space made from the eminent Porto-based architect Álvaro Siza Vieira. The delightful, pink Casa de Serralves is just a prime example of art deco, bearing the imprint of French architect Charles Sicilies. One ticket gets you.
The museums sit on the marvelous 18-hectare Parque de Serralves. Lily ponds, rose gardens, whimsical bits along with formal fountains — such as palaces of pruning shears that are oversize — make for an outing in the metropolis. The property west of this city center; choose bus 20-1 from in front of Praça Dom João I, one block east of Avenida dos Aliados.
Museu Nacional Soares dos Reis
Porto’s best art museum gifts a collection ranging on modernism to the take of Portugal.
Requisitioned by Napoleonic invaders that the neoclassical palace had been abandoned so fast that the future Duke of Wellington found a bare feast at the dining room. Transformed into a tradition of fine and decorative arts from 1940, its finest works from the 19th century, and comprise sculptures by António Teixeira Lopes and António Soares dos Reis — find the latter’s famous O Desterrado (The Exiled), and the naturalistic paintings of Henrique Pousão and António Silva Porto.
Palácio da Bolsa
Just past the entry is that the glass-domed Pátio das Nações (Hall of Nations), where the market once operated. But this pales in comparison with chambers deeper inside; to visit them, join one of those guided tours that are a half-hour, which place off every 30 minutes.
The highlight will be just a stupendous ballroom referred to since the Salão Árabe (Arabian Hall), together with stucco walls which were teased into complex Moorish designs, then bloomed with a few 18kg of gold.
Jardins do Palácio de Cristal
Constructed atop a bluff, this botanical garden is just one of the best-loved escapes of Porto, together with interwoven with trails and dotted with fountains, sculptures, giant magnolias, camellias, cypress and olive trees. It’s a mosaic of small gardens which open little by little since you drift — just as do the magnificent views of the town and Rio Douro.
Casa da Música
At legendary minimalist and daringly imaginative, the Casa da Música could be the beating heart of this Porto National Orchestra’s home and also Porto scene. The musical world was rocked by Dutch architect Rem Koolhaas using this specific particular creation — the gem in the town’s European Capital of Culture 2001 crown molding.
A shoebox-style concert-hall lauded for some of the world acoustics is concealed by the cuboid that is wonky. If your curiosity has been piqued, combine one of the daily tours.
A book shop, but even when you aren’t after novels, don’t overlook this 1906 confection, having its lavishly stained plaster including also a stained-glass skylight and wood. Feels magic? Its wrought, curiously twisting staircase was supposedly the inspiration for its main one at the Harry Potter novels, which JK Rowling partly wrote in Porto while working here as an English teacher in 1991 to 1993.
By Praça da Ribeira climbs a tangle of medieval alleys and stairways that eventually reach the cathedral’s hilltop fortress. Founded in the 12th century, it altered throughout the 18th century and then was largely rebuilt. But, you can make out the church’s Romanesque roots in the barrel-vaulted nave. Indoors, a rose also a cloister and also window likewise remain from the early days.
History brings the cathedral gravitas — this is where Dom João I married his beloved Philippa of Lancaster in 1387, and where Prince Henry the Navigator was baptized in 1394, far-flung lands but a dream’s fate.
São Bento Train Station
One of the world’s most beautiful train stations, beaux-arts São Bento tails you straight back. Completed in 1903, it appears to have been imported from Paris, with its mansard roof. Nevertheless, the stunning azulejo panels of historical scenes in the front hallway are the true attraction. Produced by Jorge Colaço in 1930, some 20,000 tiles depict historic conflicts (including Henry the Navigator’s conquest of Ceuta), as well as the foundation of transport.
Mercado do Bolhão
Even the 19thcentury Mercado do its doors shut spring 2018. No given date had been administered at the right time of writing due to the reopening.
Museu da Misericórdia do Porto
The Museu da Misericórdia do Porto harmoniously unites cutting-edge architecture, a precious collection of 15th- to 17th-century sacred art and portraiture, and also certainly something of Ribeira’s finest churches, Igreja da Misericórdia. Allowing the trademark of Italian baroque architect Nicolau Nasoni, the church’s interior is adorned with all blue-and-white azulejos (hand-painted tiles). The museum’s biggest stunner could be that the big scale Flemish Renaissance painting Fons Vitae (Fountain of Life), constituting Dom Manuel I and family around a fountain of blood from the crucified Christ.
Ponte de Dom Luís I
Completed in 1886 with a student of Gustave Eiffel, the top deck of the bridge is reserved for pedestrians, as well as one of the town’s metro lines; the low deck conveys regular visitors, as well as narrow walkways for those on foot. The perspectives of this river and old town are magnificent, as would be.
Capela das Almas
About Rua de Santa Catarina stands the strikingly ornate, azulejo-clad Capela das Almas. Blue-and-white panels that are magnificent depict scenes from different saints’ lives, including the martyrdom of St Catherine and the departure of St Francis. Interestingly, the tiles were painted by Eduardo Leite though they return to the early 20th century.
Parque da Cidade
While you input the Parque da Cidade, Portugal’s largest park the hum of traffic to the Avenida da Boavista fades. Laced with 10km of biking and walking trails, this is where locals appear to unplug and recharge, picnic (particularly at weekends), play basketball, jog, cycle, lounge in the sun and feed the ducks in the lake.
Avenida dos Aliados
Lined with bulging, BeauxArts facades and restricted by the stately câmara municipal (municipal council), this Avenida recalls grand Parisian imitators like Buenos Aires and Budapest. The avenue plaza was restored a couple of decades and hosts exhibitions and pop-up funny publications and art festivals.
Igreja das Carmelitas
Blink and you might miss this is just really a church in its own right, snuggled as close as it does Carmo. Once the dividing line between the monks of Carmo and the Carmelite nuns, the churches are split by a house. Dating to the 17th century, even its classical facade belies its lavish nave.
Casa do Infante
Inside this renovated townhouse, according to legend, Henry the Navigator was born in 1394. The building later served as the first customs house of Porto. It includes three floors of exhibits. The complex has been excavated, revealing Roman foundations and also some remarkable mosaics — all which are on display.
Jardim do Morro
The cable car swings as much as this hilltop park, which could also be reached by crossing the top layer of Ponte de Dom Luís I. Shaded by palms, these gardens are all about the view. By here, Porto looks magnificent, with Ribeira’s pastel-hued houses across the opposite side of the snaking river and the Douro below.
Praça da Ribeira
Down by the Rio Douro, roads that are narrow available out on a plaza framed by austerely grand Townhouses overlooking a panoramic stretch of this lake. From here you have nice views of the lodges across the river, in addition to the enormous, doubledecker Ponte de Dom Luís I.
Igreja do Carmo
Dating to the late 18th century, this attractive azulejo-covered church is just one of Porto’s best samples of rococo architecture. The tiled board on your facade pays tribute to Nossa Senhora (Our Lady).
Centro Português de Fotografia
This stately yet muscular building (1767) formerly served as a prison now houses a photography museum. You walk through the iron gates that are thick and in the cells to see the work, which lends even more gravitas to the exhibits. On another floor is an assortment of cameras spanning every decade; especially fascinating would be the espionage ones, subtly hidden in everything from Pepsi cans to Marlboro packets.
Cemitério do Prado Repouso
It is Porto’s first cemetery when it had been headquartered in 1839. It’s recognized as an important milestone because of its structure and historical significance. Around 10 hectares you will discover the granite tombstones of many famous Portuguese politicians, actors, and scholars (plaques come in Portuguese and English), as well as a tiny chapel and monument to the victims of Porto’s 1891 republican uprising.
Igreja da Lapa
The Igreja da Lapa Catholic church holds significance in Porto because the place where Portugal king and emperor of Brazil’s soul has been maintained. The monarch requested his heart become more talented upon his passing to Porto, therefore has been retained by the church alter since 1835.
Praça da Batalha
At the southern end of Rua de Santa Catarina will be the lovely, diverse Praça da Batalha, framed by Nasoni’s gracefully baroque Igreja de Santo Ildefonso with its twin bell towers, and the lavishly romantic Teatro Nacional São João, built in the design of Paris’ Palais Garnier.
Rua de Santa Catarina
This street is fashionable and romantic, with stone footpaths that are striped trim boutiques and animated crowds. It’s home to Porto’s most intricate tearoom, the art-nouveau Café Majestic, and the outstanding azulejo-be decked Capela das, Almas.
Teleférico de Gaia
Do not forget a ride on this aerial gondola that offers nice views over Porto and the Douro on its own short, five-minute jaunt. It works between the southern end of the Ponte de Dom Luís I and also the riverside.
Cais da Ribeira
This riverfront promenade is a postcard, Porto, shooting in the whole glorious sweep of the town, from Ribeira’s pastel homes piled like Lego bricks to the Barcos rebels (flat bottomed boats) formerly used to transfer port from the Douro. Early-evening buskers serenade crowds, and chefs fire up grills at the hole-in-the-wall fish restaurants along with tascas (taverns) from the old arcades.
Espaço Porto Cruz
This swanky emporium in just a restored 18th-century riverside building celebrates all-things jack. Along with some shop where tastings are held (by the glass starting at $3 or $9.50 for 2 vents ), there is a rooftop terrace with scenic views and 3rd-floor de Castro Gaia pub. The 1 st and 2nd floors are given over to a small, complementary, port-related exhibition, the highlight of that is the wine journey — a flight on the Douro and Porto.
Jardim do Infante Dom Henrique
Presided over by the late-19th-century market Mercado Ferreira Borges and neo-classical Palácio da Bolsa, these gardens have been named after the centerpiece statue. Lifted high on a pedestal, the monument depicts Prince Henry the Navigator (1394–1460) — a catalyst in the time of Discoveries and leader of this caravel (a tiny, fast boat ), who braved the battering Atlantic in search of colonies for Portugal’s group.
Torre dos Clérigos
Sticking out on Porto’s skyline like a sore thumb — a gorgeous one that was baroque — master Nicolau Nasoni in the mid-1700s designed that tower. Scale its spiral staircase for incredible views on Porto’s tiled rooftops, the curve of the Douro into the port-wine and spires lodges in Gaia. It also harbors an exhibition that chronicles the history of residents and their tower’s architects.